As a photographer and a diver for nearly twenty years, nature has always been one of my deepest sources of inspiration.

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The colors, forms, and patterns of nature are among the elements that influence me the most. What fascinates me is the way nature reproduces itself; how it repeats, multiplies, and evolves, yet never creates the exact same form twice. Even what appears similar always carries subtle differences, unique traces of its own existence.

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These subtle deviations give rise to what I perceive as irrational lines: lines that resist symmetry, precision, and predictability. In my sketch collection, these lines emerge as intuitive gestures, echoes of organic growth, currents, and natural formations shaped by movement rather than control. The sketches become a space where repetition is never identical, where order gently dissolves into variation, and where form is guided by instinct rather than strict geometry.

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As designers, we can never truly replicate nature; at best, we create imperfect interpretations of it. Yet by combining the energy nature offers, its sense of renewal, resilience, and continuous becoming with the act of designing, we are able to translate our inner world into form. Through this process, emotions, memories, and accumulated experiences find their way into material and gesture.

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Throughout history, architects have often turned to furniture design as a more immediate and producible scale of experimentation. Although my background is rooted in spatial and interior design, the immediacy and fluidity of jewelry making drew me in. When I began working with jewelry eight years ago, I never imagined how deeply this path would unfold. Who knows perhaps one day, through these small yet intimate objects, I may find a way to move a little closer to the energy of nature itself.